Artemis Pro Directors Viewfinder – Newsshooter
Chemical Wedding is showing Artemis Pro at Cine Gear 2026 in Los Angeles, the next-generation version of what has become the ...
Camera
Tilta Nucleus Auto Focus Adapter Dual NANO II Motor Kit (E to PL) Review
Tilta officially launched its new Nucleus Autofocus Adapter just before NAB 2026 in April. The Nucleus Autofocus Adapter brin...
Viltrox AF 90mm F2.2 EVO Review
Viltrox recently announced its new AF 90mm F2.2 EVO lens that covers APS-C sensors. Viltrox also announced the AF 75mm F1.8 E...
Viltrox DC-550 Pro II 5.5-inch high-brightness LCD camera monitor
Viltrox has unveiled its new DC-550 Pro II, a 5.5-inch high-brightness LCD camera monitor with a compact, lightweight, and po...
Hollyland C1 Pro Air First Look Cine Gear 2026
Ay Cine Gear 2026 in Los Angeles Hollyland was showing the Cine Pro Air. This model is much smaller and lighter but retains t...
ARRI ALEXA 35 & ALEXA 35 Xtreme Showreel 2026
ARRI has a new ALEXA 35 & ALEXA 35 Xtreme Showreel, which highlights a wide variety of recent productions shot with the ...
Lensworks Expands X65 Large Format Prime Series with New 25mm T2.6 Ultra Wide Lens
Lensworks has announced the addition of a new 25mm T2.6 Ultra Wide lens to its X65 large format prime series. As camera senso...
Sony RIALTO 65 with 9.6K 3:2 open gate recording
Sony has announced that it is developing the RIALTO 65, a new 65mm format-capable image sensor block for the VENICE 2. It is ...
Creamsource Vortex2 and Vortex2 Soft: A Compact Entry Point Into the Vortex Ecosystem
Creamsource has expanded the Vortex family with two new fixtures aimed at the smaller end of the production spectrum. The Vor...
Capture One Raises Prices Again — Is It Still Worth It, or Time to Jump Ship?
Another year, another price hike. As Capture One quietly increases its rates by 6% across all plans, photographers are once a...